๐—™๐—ฟ๐—ผ๐—บ ๐—›๐—ฒ๐—ฟ๐—ผ๐—ฒ๐˜€ ๐˜๐—ผ ๐—›๐—ฎ๐˜€๐—ต๐˜๐—ฎ๐—ด๐˜€ โ€” ๐—ง๐—ต๐—ฒ ๐—”๐—ด๐—ฒ ๐—ผ๐—ณ ๐—•๐—ผ๐—ฟ๐—ฟ๐—ผ๐˜„๐—ฒ๐—ฑ ๐—š๐—น๐—ผ๐—ฟ๐—ถ๐—ฒ๐˜€

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  • Age of Massย Distraction
  • ๐—™๐—ฟ๐—ผ๐—บ ๐—›๐—ฒ๐—ฟ๐—ผ๐—ฒ๐˜€ ๐˜๐—ผ ๐—›๐—ฎ๐˜€๐—ต๐˜๐—ฎ๐—ด๐˜€ โ€” ๐—ง๐—ต๐—ฒ ๐—”๐—ด๐—ฒ ๐—ผ๐—ณ ๐—•๐—ผ๐—ฟ๐—ฟ๐—ผ๐˜„๐—ฒ๐—ฑ ๐—š๐—น๐—ผ๐—ฟ๐—ถ๐—ฒ๐˜€

๐—™๐—ฟ๐—ผ๐—บ ๐—›๐—ฒ๐—ฟ๐—ผ๐—ฒ๐˜€ ๐˜๐—ผ ๐—›๐—ฎ๐˜€๐—ต๐˜๐—ฎ๐—ด๐˜€ โ€” ๐—ง๐—ต๐—ฒ ๐—”๐—ด๐—ฒ ๐—ผ๐—ณ ๐—•๐—ผ๐—ฟ๐—ฟ๐—ผ๐˜„๐—ฒ๐—ฑ ๐—š๐—น๐—ผ๐—ฟ๐—ถ๐—ฒ๐˜€
Once upon a time, greatness was earned in silence, not streamed for likes.

๐˜พ๐™–๐™ฃ ๐™’๐™š ๐™‚๐™ช๐™š๐™จ๐™จ ๐™ฉ๐™๐™š ๐˜พ๐™š๐™ก๐™š๐™—๐™ง๐™ž๐™ฉ๐™ž๐™š๐™จ ๐™ค๐™› ๐™ฉ๐™๐™š ๐™€๐™–๐™ง๐™ก๐™ฎ ๐Ÿญ๐Ÿต๐Ÿต๐Ÿฌ๐™จ?

Oh yesโ€”back then, stadiums were packed with cheering fans, and millions were captivatedโ€ฆ on Instagram? YouTube? TikTok?

๐˜ž๐˜ˆ๐˜๐˜›โ€”๐˜ฏ๐˜ฐ๐˜ฏ๐˜ฆ ๐˜ฐ๐˜ง ๐˜ต๐˜ฉ๐˜ฐ๐˜ด๐˜ฆ ๐˜ฆ๐˜ท๐˜ฆ๐˜ฏ ๐˜ฆ๐˜น๐˜ช๐˜ด๐˜ต๐˜ฆ๐˜ฅ.

Abraham Lincoln had no Twitter handle, and Gandhi wasnโ€™t live-streaming the Salt March. And you know what? Nobody cared.
Because back then, people were too busy doing things instead of watching someone do them.

๐™‰๐™ค๐™ฌ ๐™›๐™–๐™จ๐™ฉ ๐™›๐™ค๐™ง๐™ฌ๐™–๐™ง๐™™ ๐™ฉ๐™ค ๐™ฉ๐™๐™š ๐™˜๐™ž๐™ง๐™˜๐™ช๐™จ ๐™ค๐™› ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฑ.

We live in a world where someone can have 200 million followersโ€”just for dancing in their bathroom or sharing a protein shake recipe. Today, โ€œ๐˜ช๐˜ฏ๐˜ง๐˜ญ๐˜ถ๐˜ฆ๐˜ฏ๐˜ค๐˜ฆโ€ means making people wear the same shoes, chase the same trends, and think the same recycled thoughtsโ€”ironically called โ€œ๐˜ฃ๐˜ฆ๐˜ช๐˜ฏ๐˜จ ๐˜บ๐˜ฐ๐˜ถ๐˜ณ๐˜ด๐˜ฆ๐˜ญ๐˜ง.โ€

๐™Ž๐™ค ๐™ฌ๐™๐™–๐™ฉ ๐™๐™–๐™ฅ๐™ฅ๐™š๐™ฃ๐™š๐™™? ๐˜ฟ๐™ž๐™™ ๐™๐™ช๐™ข๐™–๐™ฃ๐™จ ๐™š๐™ซ๐™ค๐™ก๐™ซ๐™š ๐™ž๐™ฃ๐™ฉ๐™ค ๐™จ๐™ช๐™ฅ๐™š๐™ง๐™๐™ช๐™ข๐™–๐™ฃ๐™จ ๐™ค๐™ซ๐™š๐™ง๐™ฃ๐™ž๐™œ๐™๐™ฉ?

๐˜ˆ๐˜ฑ๐˜ฑ๐˜ข๐˜ณ๐˜ฆ๐˜ฏ๐˜ต๐˜ญ๐˜บ, ๐˜ ๐˜Œ๐˜šโ€”๐˜ฐ๐˜ฏ ๐˜š๐˜ฐ๐˜ค๐˜ช๐˜ข๐˜ญ ๐˜”๐˜ฆ๐˜ฅ๐˜ช๐˜ข.

Todayโ€™s celebrities are practically worshipped. Theyโ€™re not just people; theyโ€™re “๐˜‰๐˜ณ๐˜ข๐˜ฏ๐˜ฅ๐˜ด” with followers in numbers that ancient kings couldnโ€™t even dream of in their armies. But behind those filtered smiles lies a brutal irony: neither the fan nor the celebrity actually feels secure.

Because hereโ€™s the kickerโ€”celebrity culture isnโ€™t about greatness anymore. Itโ€™s about spectacle. And when all heroism is packed into a few glittering faces, the rest are reduced to spectatorsโ€”clapping hands, scrolling fingers.

In this grand theater of artificial importance, ordinary people now seek meaning in becoming fans.
๐˜•๐˜ฐ๐˜ต ๐˜ค๐˜ณ๐˜ฆ๐˜ข๐˜ต๐˜ฐ๐˜ณ๐˜ด. ๐˜•๐˜ฐ๐˜ต ๐˜ค๐˜ฐ๐˜ฏ๐˜ต๐˜ณ๐˜ช๐˜ฃ๐˜ถ๐˜ต๐˜ฐ๐˜ณ๐˜ด โ€”๐˜‘๐˜ถ๐˜ด๐˜ต “๐˜๐˜ˆ๐˜•๐˜š” โ€” Fans who never share the profits. Never gain the confidence. Only the illusion of connectionโ€”and a slow, silent erosion of their own self-worth.

And hereโ€™s the tragic ironyโ€”celebrities themselves are not basking in joy. Theyโ€™re terrified. Always one scandal away from cancellation, one unfollow spree away from irrelevance. So both sidesโ€”the idol and the idol-worshipperโ€”are united by one thing: ๐˜ง๐˜ฆ๐˜ข๐˜ณ ๐˜ฐ๐˜ง ๐˜ญ๐˜ฐ๐˜ด๐˜ช๐˜ฏ๐˜จ ๐˜ช๐˜ฅ๐˜ฆ๐˜ฏ๐˜ต๐˜ช๐˜ต๐˜บ.

The Bhagavad-Gita, of course, has no space for this circus.
Krishna didnโ€™t say, โ€œ๐˜ ๐˜ข๐˜ฎ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ช๐˜ฏ๐˜ง๐˜ญ๐˜ถ๐˜ฆ๐˜ฏ๐˜ค๐˜ฆ๐˜ณ ๐˜ฐ๐˜ฏ ๐˜๐˜ฏ๐˜ด๐˜ต๐˜ข๐˜จ๐˜ณ๐˜ข๐˜ฎ.โ€ He said, โ€œ๐˜ ๐˜ข๐˜ฎ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ข๐˜ฃ๐˜ช๐˜ญ๐˜ช๐˜ต๐˜บ ๐˜ช๐˜ฏ ๐˜ฎ๐˜ข๐˜ฏ.โ€ โ€” The focus is not on becoming ๐˜ข “๐˜Š๐˜ฆ๐˜ญ๐˜ฆ๐˜ฃ๐˜ณ๐˜ช๐˜ต๐˜บ” but becoming a “๐˜๐˜ฆ๐˜ณ๐˜ฐโ€”๐˜ข ๐˜ณ๐˜ฆ๐˜ข๐˜ญ ๐˜ฐ๐˜ฏ๐˜ฆ”. One who lifts others, not one who collects likes.

But today, celebrity culture doesnโ€™t encourage people to feel their abilities. It distracts them from it.

I remember a conversation with a financial advisorโ€”he said most families know their children wonโ€™t become creators or innovators. They wonโ€™t build factories, design machines, or craft solutions. Theyโ€™ll just manage portfolios. Passive income. Passive identity. Passive life. Weโ€™ve raised a generation allergic to struggle and addicted to shortcut glory.

Everyone wants to consume. No one wants to create. Weโ€™re surrounded by heroes, yesโ€”but synthetic ones. Factory-made icons, their shine curated by algorithmsโ€”not forged through effort.

Letโ€™s rememberโ€”on the battlefield of Kurukshetra, or even in Lanka, there were no audience stands. No ticket sales. No selfie zones. Everyone fought. Everyone participated. The great demon Banasura, with a thousand arms, was cut down to sizeโ€”998 arms severed by Krishna himself. Two were left behind as a reminder: divinity lies in the ordinary. Krishna was decentralising powerโ€”giving two hands to all, stripping away the illusion of concentrated might. The message was clear: everyone can contribute. Modern society, in contrast, worships a handful of thousand-armed โ€œ๐˜ช๐˜ฏ๐˜ง๐˜ญ๐˜ถ๐˜ฆ๐˜ฏ๐˜ค๐˜ฆ๐˜ณ๐˜ด,โ€ while the rest remain frozenโ€””๐˜ฑ๐˜ข๐˜ณ๐˜ข๐˜ญ๐˜บ๐˜ด๐˜ฆ๐˜ฅ ๐˜ด๐˜ฑ๐˜ฆ๐˜ค๐˜ต๐˜ข๐˜ต๐˜ฐ๐˜ณ๐˜ด”.

What a “๐˜ฑ๐˜ณ๐˜ฐ๐˜จ๐˜ณ๐˜ฆ๐˜ด๐˜ด๐˜ช๐˜ท๐˜ฆ” era we live in. We call ourselves rational, educatedโ€”even enlightenedโ€” and then stampede for a glimpse of an actor. We burn with grief when a film hero dies. Yes, people have literally set themselves on fire mourning someone they never met. Because why seek God within, when you can worship an airbrushed version of divinity on a screen?

True education, once upon a time, wasnโ€™t about knowing the periodic table. It was about knowing yourself. People were self-sufficient. They didnโ€™t know celebritiesโ€”because they didnโ€™t need to. Their lives had meaning without subscribing to someone elseโ€™s updates.

In those times, heroes quietly created other heroes. Todayโ€™s celebrities? They create followers. Just followers.

๐˜š๐˜–, ๐˜ž๐˜Œ ๐˜š๐˜›๐˜๐˜“๐˜“ ๐˜๐˜ˆ๐˜๐˜Œ ๐˜ˆ ๐˜Š๐˜๐˜–๐˜๐˜Š๐˜Œ.

๐˜‹๐˜ฐ ๐˜ธ๐˜ฆ ๐˜ธ๐˜ข๐˜ฏ๐˜ต ๐˜ต๐˜ฐ ๐˜ฆ๐˜น๐˜ฑ๐˜ฆ๐˜ณ๐˜ช๐˜ฆ๐˜ฏ๐˜ค๐˜ฆ ๐˜Ž๐˜ฐ๐˜ฅ ๐˜ต๐˜ฉ๐˜ณ๐˜ฐ๐˜ถ๐˜จ๐˜ฉ ๐˜ฐ๐˜ถ๐˜ณ ๐˜ฐ๐˜ธ๐˜ฏ ๐˜ข๐˜ฃ๐˜ช๐˜ญ๐˜ช๐˜ต๐˜บ, ๐˜ฐ๐˜ณ ๐˜ด๐˜ต๐˜ข๐˜บ ๐˜ค๐˜ฉ๐˜ข๐˜ช๐˜ฏ๐˜ฆ๐˜ฅ ๐˜ต๐˜ฐ ๐˜ด๐˜ฐ๐˜ฎ๐˜ฆ๐˜ฐ๐˜ฏ๐˜ฆ ๐˜ฆ๐˜ญ๐˜ด๐˜ฆโ€™๐˜ด ๐˜ง๐˜ข๐˜ฎ๐˜ฆโ€”๐˜ณ๐˜ช๐˜ด๐˜ฌ๐˜ช๐˜ฏ๐˜จ ๐˜ฐ๐˜ถ๐˜ณ ๐˜ช๐˜ฅ๐˜ฆ๐˜ฏ๐˜ต๐˜ช๐˜ต๐˜บ, ๐˜ข๐˜ฏ๐˜ฅ ๐˜ด๐˜ฐ๐˜ฎ๐˜ฆ๐˜ต๐˜ช๐˜ฎ๐˜ฆ๐˜ด ๐˜ฆ๐˜ท๐˜ฆ๐˜ฏ ๐˜ฐ๐˜ถ๐˜ณ ๐˜ญ๐˜ช๐˜ง๐˜ฆ, ๐˜ง๐˜ฐ๐˜ณ ๐˜ข ๐˜ด๐˜บ๐˜ฏ๐˜ต๐˜ฉ๐˜ฆ๐˜ต๐˜ช๐˜ค ๐˜ด๐˜ฑ๐˜ข๐˜ณ๐˜ฌ ๐˜ต๐˜ฉ๐˜ข๐˜ต ๐˜ธ๐˜ข๐˜ด ๐˜ฏ๐˜ฆ๐˜ท๐˜ฆ๐˜ณ ๐˜ฐ๐˜ถ๐˜ณ๐˜ด ๐˜ต๐˜ฐ ๐˜ฃ๐˜ฆ๐˜จ๐˜ช๐˜ฏ ๐˜ธ๐˜ช๐˜ต๐˜ฉ?

– Govinda Das (ISKCON Member)



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