In the ๐๐ถ๐ฎ๐ฃ๐ฉ ๐๐ฆ๐ญ๐ข, a seeker dressed in Babaji attire, a former IIT Mumbai student, has become an internet sensation.
At times, he delivers profound insights; at others, he vents his frustrations, often aimed at his parents. His free-flowing thoughts swing between logical clarity and, to some, bewildering abstraction.
He doesnโt claim to be a Sadhu, yet he dresses like one. Unaffiliated with any system, path, or Guru, he speaks of disconnecting from everything to become non-existent, yet paradoxically seeks growth.
In my observation, he is the embodiment of an inner conflict: a brilliant philosophical mind, a joyous seeker, a son crushed by the weight of emotional trauma, and an individual still seeking excellence with greater heights, now sharing his knowledge on social media, but wanting nothingness.
The path of dharma-centric adhyatma (๐ด๐ฑ๐ช๐ณ๐ช๐ต๐ถ๐ข๐ญ๐ช๐ต๐บ) is a harmony of the abstract and the concrete. It is a synthesis of discipline and free-flowing thoughts, a balance between tradition (๐ฑ๐ข๐ณ๐ข๐ฎ๐ฑ๐ข๐ณ๐ข) and the infinite. It is love infused with logic and action tempered with detachment. It reconciles complete dependence with self-reliance, shunya (๐ฆ๐ฎ๐ฑ๐ต๐ช๐ฏ๐ฆ๐ด๐ด) with purna (๐ง๐ถ๐ญ๐ญ๐ฏ๐ฆ๐ด๐ด), and duality (๐ฃ๐ฉ๐ฆ๐ฅ๐ข) with non-duality (๐ข๐ฃ๐ฉ๐ฆ๐ฅ๐ข). It expresses affection for family while internally renouncing all that is transient.
Sripad Shankaracharya boldly declared “๐ซ๐ข๐จ๐ข๐ฏ ๐ฎ๐ช๐ต๐ฉ๐บ๐ข” (the world is an illusion) yet composed the beautiful “๐๐ข๐ต๐ณ๐ถ ๐๐ข๐ฏ๐ค๐ฉ๐ข๐ฌ๐ข๐ฎ,” glorifying his mother. This illustrates that unless philosophical truth is harmonized with cultural reality, it can undermine the very purpose of life’s legacy.
In the Bhagavad Gita, Sri Krishna revealed to Arjuna that he is not merely his body but the atman (๐ด๐ฐ๐ถ๐ญ). Yet, in the very next verse, Krishna acknowledges Arjuna’s ties to his family on both sides. Here, truth and reality were seamlessly harmonized. One who attains this harmony is a real yogi โ reconciling relationships while transcending them, seeing the action itself as an expression of nothingness.
๐๐ถ๐ค๐ฉ ๐ข ๐ฑ๐ฆ๐ณ๐ด๐ฐ๐ฏ, ๐ธ๐ฉ๐ฐ ๐ฃ๐ข๐ญ๐ข๐ฏ๐ค๐ฆ๐ด ๐ง๐๐จ๐ฅ๐ค๐ฃ๐จ๐๐๐๐ก๐๐ฉ๐ฎ ๐ฌ๐๐ฉ๐ ๐๐๐ฉ๐๐๐๐ข๐๐ฃ๐ฉ ๐ข๐ฏ๐ฅ ๐๐๐ซ๐ค๐ฉ๐๐ค๐ฃ ๐ฌ๐๐ฉ๐ ๐ ๐ฃ๐ค๐ฌ๐ก๐๐๐๐, ๐ฆ๐ฎ๐ฃ๐ฐ๐ฅ๐ช๐ฆ๐ด ๐ต๐ฉ๐ฆ ๐ฆ๐ด๐ด๐ฆ๐ฏ๐ค๐ฆ ๐ฐ๐ง ๐ฃ๐ฐ๐ต๐ฉ “๐๐๐๐ ๐ฉ๐” ๐ข๐ฏ๐ฅ “๐๐ฃ๐๐ฃ๐”.
-Govindaย Das
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